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Kitty March: Jeepers, I love you Johnny.For music lovers, the name Christopher Cross conjures up a wide variety of images: the hard-rocking narrative of “Ride Like the Wind” the delicate introspection of “Sailing” and “Think of Laura” the classic pop stylings of “Arthur’s Theme” and “Never Be the Same.” In these days of mind-numbing overspecialization, the word versatile says a great deal about an artist.Ĭross burst onto the scene early in 1980 with one of the most celebrated debut albums of all time, collecting a total of five Grammys® for the surprisingly mature first effort, which yielded four hit singles and sold more than six million copies worldwide. You walk around with everything bottled up. Christopher Cross: There aren't many people you can talk to this way. Kitty March: I never heard anyone talk like that before. Every painting, if it's any good, is a love affair. Christopher Cross: The way I think of things, that all art is. first you see someone, then it keeps growing, until you can't think of anyone else. Christopher Cross: It's like falling in love I guess.
CHRISTOPHER CROSS WHAT DO YOU THINK ABOUT LOVE HOW TO
No one ever taught me how to draw, so I just put a line around what I feel when I look at things. You know, that's the important thing, feeling. Kitty March: I never knew paint could grow. Kitty March: How long does it take you to paint a picture? Christopher Cross: Sometimes a day, sometimes a year. Kitty March: I wonder when you get all that money. Kitty March: But don't you have time? Christopher Cross: Well you know. I think it's the most fun I know, painting. Kitty March: Fun? Christopher Cross: Yes. But you know when I paint, I don't think of money. Christopher Cross: Well that's one way of looking at it. You're never appreciated in your own country. I don't know much about painting, but I bet your get as much for your pictures in France as those Frenchman get right here in New York. I bet your sell your pictures in Europe, France or someplace like that. Kitty March: Well not in New York you mean. Kitty March: You know what, Chris? I bet I saw some of your pictures there and didn't know it. They're worth, well, whatever you can afford to pay for them. Kitty March: You would? For fifty-thousand dollars? Christopher Cross: You can't put any price on masterpieces like that. Christopher Cross: Cezanne? Oh, he was a great French painter.
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Kitty March: You know those art galleries on Fifth Avenue? The prices they charge! I saw one little picture that cost fifty-thousand dollars. Christopher Cross: Yeah, a man hasn't got a chance with these New York detectives. He didn't get away with it, did he? He'll go to the chair, as he should. Adele Cross: I've read the paper, thank you. A man killed his wife with the window weight, put her body in the trunk, shipped her to California. Kitty March: It won't stop with lunch!Ĭhristopher Cross: Hey, did you read this? Adele Cross: Read what? Christopher Cross: This murder in Queens.
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I don't know what you told Janeway, but you got him eatin' right out of your hand. Christopher Cross: I never saw a woman without any clothes. I lost those wings a long time ago.Īdele Cross: Next thing you'll be painting women without clothes. Kitty March: Who do you think you are? My guardian angel? Millie Ray: Not me, honey. Kitty March: I didn't give you a dirty look! Johnny Prince: Listen, any girl that waits two hours in the rain for a guy is gonna give him a dirty look. Reporter on Train: I'd rather have a judge give me the works than to have to do it to myself.ĭialogue Johnny Prince: And then you gave me a dirty look.Can't you get those Lazy Legs off that couch, baby?.How can a man be so dumb.I wanted to laugh in your face ever since the moment I met you.Well, I was going to do this myself, but, uh.If he were mean or vicious or if he'd bawl me out or something, I'd like him better.